Chapter Four

The atmosphere in “La Pagina che Fa le Fusa” turned as cold as the frost on the cobblestones outside. Julian Thorne stood by the solid oak counter, his hands resting in a “perfectly composed façade,” but his green eyes flickered toward the oilskin pouch I held. Behind him, the Three Best Friends—Altea, Anna, and Marisa—remained in their burgundy velvet chairs, their faces masks of “barely contained fury” and “silent shadow”.

The Confrontation of the Ochre Clay

I held up the “tiny, peculiar clump of bright, ochre-colored clay” that Toe had unearthed.

  • “Archaeology requires a delicate eye, Julian,” I began, my voice a “calm, smooth stream” that masked my own “underlying tension”.
  • “But this clay is ‘entirely different from the dark, rich soil’ of our hills; it is the ‘signature’ of a forger who hides his dye where the ‘earth is youngest’”.
  • I pointed to the potted olive tree on the balcony, its “freshly potted” soil still damp from the morning’s mist.
  • “You brought this as a gift, claiming it was an ‘ode to tradition,’ but it was merely a ‘distraction’ to hide your ‘forger’s kit’ and the ‘crystalline powder’ used to silence the critic”.

The Secret of the Dagger’s Heart

Julian’s “composure cracked” for a “split second,” a “flicker of fear” crossing his features before he regained his “smooth confidence”.

  • He reached for the faded peacock-blue ledger, its silver ink glowing faintly in the “warm and soffusa” light of the shop.
  • “You are playing a ‘dangerous game,’ Moira,” he whispered, his voice like “honey being stirred into cream”.
  • “The ‘Caramel Gold’ was the key, but the ‘Raven’s Kiss’ is the soul; the ‘answer is not in the metal, but in the heart’”.
  • He claimed that the “Blackstone Blade Collection” was a “masterful, beautiful lie,” and that the real “treasure” was a “lost, secret part of the blade” that only the “new art historian” could uncover.

The Feline Verdict

Ashwaganda, the “ginger feline detective,” did not wait for an explanation.

  • He let out a “low, inquisitive growl” and leaped onto the counter, his “gold stare” fixed on the “miniature silver raven’s head” Julian had momentarily revealed.
  • Toe, the “sleek black shadow,” darted behind the counter to my “old typewriter,” his “nose twitching” at the “faint chemical scent” emanating from Julian’s cloak.
  • Their “silent commentary” confirmed my “medical intuition”: the “lullaby of death” was not a “natural cause,” but a “brilliant, almost theatrical crime”.

Ispettore Salomone entered the shop then, his “patient, weary wisdom” evident in every step. He looked from the “forger’s kit” to Julian, his gaze “both professional and compassionate”. “I believe we have found the ‘old fox’ in his ‘youngest earth,’ Ispettore,” I said, as the “autumn sun” dipped below the horizon, promising a “new beginning” for the mysteries of Speranza.

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